Tribal Fusion is closely related to Dark Fusion pioneered by Ariellah Aflalo, and Improvisational Tribal Style (ITS) bellydance pioneered by Amy Sigil. Tribal Fusion and ITS are both descended from American Tribal Style (ATS) while Dark Fusion exists between Tribal Fusion and Gothic belly dance.

Vaudeville bellydance is an emerging style of tribal fusion bellydance that uses cultural elements of the mid-1800s through the 1930s. The rising popularity of this style is partially due to The Indigo and their show Le Serpent Rouge. Vaudeville bellydance often uses jazz, swing, blues, Balkan, or Middle Eastern-derived music (Beats Antique is a prime example). The costumes are perhaps the most recognizable feature of vaudeville bellydance because they almost always incorporate style influences from the Jazz Era and earlier.[6] As the name vaudeville bellydance suggests, this style is deeply inspired by pre-WWII vaudeville acts, often incorporating comedy into performances. Vaudeville bellydance can also be called tribal vintage style, although vaudeville bellydance is typically inspired by a more narrow time period. This form is closely associated with Burlesque fusion bellydance and much overlap exists between them. Both styles have strongly influenced the tribal fusion genre overall.

Other popular tribal fusion subtypes include steampunk, Art Nouveau, gothic fusion bellydance, world fusion, theatrical bellydance, and urban tribal[7] which is a hip-hop/jazz dance fusion. Many tribal fusion dancers also practice other movement arts such as aerialism, hatha yoga, hooping, fire spinning, poi and other flow arts, juggling, contemporary circus, erotic dance and burlesque, ballet, global folk dance, gymnastics, and martial arts; as such, influences from these arts can be witnessed firsthand in the acts presented at haflas and festivals across the country.